{"id":137,"date":"2017-05-08T15:43:28","date_gmt":"2017-05-08T13:43:28","guid":{"rendered":"http:\/\/clicmusikr.cluster017.ovh.net\/?page_id=137"},"modified":"2017-05-08T15:43:28","modified_gmt":"2017-05-08T13:43:28","slug":"1-3-boards-with-two-regions","status":"publish","type":"page","link":"https:\/\/tapguitar.net\/index.php\/tunings\/1-3-boards-with-two-regions\/","title":{"rendered":"1.3 Boards with two regions"},"content":{"rendered":"<h2><\/h2>\n<p>This section covers the tapping boards divided into two regions. Usually the total number of strings ranges from 10 to 14. The regions are mainly tuned in fourths-fourths, fifths-fourths or fifths-fifths.<\/p>\n<h3><a name=\"1.3.1 Tunings in fourths-fourths\"><\/a>1.3.1 Tunings in fourths-fourths<\/h3>\n<h4>1.3.1.1 THE GRAPHIC SPACE OF THE 4-4 INSTRUMENT<\/h4>\n<p>The simple idea behind 4-4 tunings is that identical patterns are played identically on both sides (see FIGURE 1-2). The 4-4 tunings can be divided into mirrored or parallel. Suppose that we take a mirrored tuning, then in order to represent the invariant motif C-F-G-c on the bass side, we simply need to take the sign C-F-G-c of the melody side and to mirror it symmetrically. The bass playing is simply the mirroring of\u00a0 the melody playing.<\/p>\n<div>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tapguitar.net\/images\/tunings\/3_1.jpg\" alt=\"3 1\" width=\"338\" height=\"230\" \/><br \/>\n<strong>FIGURE 1-2 Symmetry between left and right hand: The melody space, in fourths, is represented on the right; the bass, also in fourths, on the left.<\/strong><br \/>\n<strong>As they are symmetrical, the signs C-F-G-c reflect each other, and so does the playing. The hands and the motives show the same symmetry.<\/strong>\n<\/div>\n<h2><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>This section covers the tapping boards divided into two regions. Usually the total number of strings ranges from 10 to 14. The regions are mainly tuned in fourths-fourths, fifths-fourths or fifths-fifths. 1.3.1 Tunings in fourths-fourths 1.3.1.1 THE GRAPHIC SPACE OF THE 4-4 INSTRUMENT The simple idea behind 4-4 tunings is &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":128,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-137","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/137"}],"collection":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":1,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/137\/revisions"}],"predecessor-version":[{"id":138,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/137\/revisions\/138"}],"up":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/128"}],"wp:attachment":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/media?parent=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}