{"id":143,"date":"2017-05-08T15:46:02","date_gmt":"2017-05-08T13:46:02","guid":{"rendered":"http:\/\/clicmusikr.cluster017.ovh.net\/?page_id=143"},"modified":"2017-05-08T15:46:02","modified_gmt":"2017-05-08T13:46:02","slug":"1-3-1-3-uncrossed-mirrored-fourths-bass-in-the-middle","status":"publish","type":"page","link":"https:\/\/tapguitar.net\/index.php\/tunings\/1-3-1-3-uncrossed-mirrored-fourths-bass-in-the-middle\/","title":{"rendered":"1.3.1.3 UNCROSSED MIRRORED FOURTHS, BASS IN THE MIDDLE"},"content":{"rendered":"
Page 5 of 12<\/div>\n

<\/h4>\n

\"Mirrorred-4th-bass-Mdl-Uncr-Cd\"<\/p>\n

Around 1990, Wolfgang Daiss, came on with what might be the best guitar-reader approach. A mirrored version of the Daiss tuning, represented on Figure 1-4, looks like \u00ab1< 6_bass_4ths_LH \/\/ 6_mel_4ths_RH > 12 \u00bb\u00a0 seen from the player. Daiss has always been a professional guitar and lute player. He has to work in ensemble, under the direction of a chef, where a heavy demand is made on the reading ability. He has to change frequently from instrument and has to keep some constants whatever the instrument he plays. Therefore he thought : \u00ab I shall keep my left hand as if it was playing the guitar, and add a symmetrical right hand to it, and there you have the Daiss tuning. With this tuning, Wolfgang has recently created the \u00ab tiptar \u00bb part in my opera \u00ab Hygi\u00e8ne de l’Assassin \u00bb. I would personally recommend this tuning to all the new players starting from scratch. It has three advantages : the bass strings are in the middle, the tuning is in the fourths-fourths family, the hands are uncrossed.
\n\u00a0<\/strong><\/p>\n\n\n\n\n\n\n\n
Table 1-7 The Daiss tuning for a twelve strings instrument<\/strong><\/td>\n<\/tr>\n
String<\/strong><\/td>\n12<\/strong><\/td>\n11<\/strong><\/td>\n10<\/strong><\/td>\n9<\/strong><\/td>\n8<\/strong><\/td>\n7<\/strong><\/td>\n6<\/strong><\/td>\n5<\/strong><\/td>\n4<\/strong><\/td>\n3<\/strong><\/td>\n2<\/strong><\/td>\n1<\/strong><\/td>\n<\/tr>\n
Bas\/Mel<\/strong><\/td>\nM1<\/strong><\/td>\nM2<\/strong><\/td>\nM3<\/strong><\/td>\nM4<\/strong><\/td>\nM5<\/strong><\/td>\nM6<\/strong><\/td>\nB6<\/strong><\/td>\nB5<\/strong><\/td>\nB4<\/strong><\/td>\nB3<\/strong><\/td>\nB2<\/strong><\/td>\nB1<\/strong><\/td>\n<\/tr>\n
Pitch open<\/td>\nEb3<\/td>\nBb2<\/td>\nF2<\/td>\nC2<\/td>\nG1<\/td>\nD1<\/td>\nB-1<\/td>\nE0<\/td>\nA0<\/td>\nD1<\/td>\nG1<\/td>\nC2<\/td>\n<\/tr>\n
gauge “<\/td>\n\u00a0.009<\/td>\n\u00a0.011<\/td>\n.013<\/td>\n\u00a0.025<\/td>\n\u00a0.035<\/td>\n\u00a0.040<\/td>\n.125<\/td>\n\u00a0.080<\/td>\n.060<\/td>\n\u00a0.045<\/td>\n\u00a0.030<\/td>\n\u00a0.016<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Daiss has some ‘guitarist’ thoughts about this tuning:
\n6. This tuning is ‘mirrored’ like the Schell tuning. However the axe of symmetry is different. In some cases, the hands playing octave apart parallel melodies are two frets apart, a disposition he likes.
\n7. String #5 is analogue, one octave lower, to string #6 of the classical guitar (Remember: Daiss plays both instruments currently)
\n8. String #3 is identical to\u00a0 #7; #2 to #8; #1 to #9, which allows some identical patterns on both sides. One of these patterns is the following: On row 2, bass side, Wolfgang sees E (on string #3), A (on #2), D (on #1). That disposition of notes is identical to the open guitar.\u00a0 The same pattern is mirrored, on the melody side on strings #7, #8 and #9.
\n9.
\nToday Wolfgang Daiss plays a 14 str tiptar. The tuning is given in Table 1-8<\/p>\n\n\n\n\n\n\n\n
Table 1-8 The Daiss tuning for a fourteen strings instrument<\/strong><\/td>\n<\/tr>\n
String<\/strong><\/td>\n14<\/strong><\/td>\n13<\/strong><\/td>\n12<\/strong><\/td>\n11<\/strong><\/td>\n10<\/strong><\/td>\n9<\/strong><\/td>\n8<\/strong><\/td>\n7<\/strong><\/td>\n6<\/strong><\/td>\n5<\/strong><\/td>\n4<\/strong><\/td>\n3<\/strong><\/td>\n2<\/strong><\/td>\n1<\/strong><\/td>\n<\/tr>\n
Bas\/Mel\u00a0<\/strong><\/td>\nM1<\/strong><\/td>\nM2<\/strong><\/td>\nM3<\/strong><\/td>\nM4<\/strong><\/td>\nM5<\/strong><\/td>\nM6<\/strong><\/td>\nM7<\/strong><\/td>\nB7<\/strong><\/td>\nB6<\/strong><\/td>\nB5<\/strong><\/td>\nB4<\/strong><\/td>\nB3<\/strong><\/td>\nB2<\/strong><\/td>\nB1<\/strong><\/td>\n<\/tr>\n
Pitch open<\/td>\nEb3<\/td>\nBb2<\/td>\nF2<\/td>\nC2<\/td>\nG1<\/td>\nD1<\/td>\nA0<\/td>\nB-1<\/td>\nE0<\/td>\nA0<\/td>\nD1<\/td>\nG1<\/td>\nC2<\/td>\nF2<\/td>\n<\/tr>\n
gauge “<\/td>\n\u00a0.009<\/td>\n\u00a0.011<\/td>\n.013<\/td>\n\u00a0.016<\/td>\n.025<\/td>\n.035<\/td>\n\u00a0.040<\/td>\n.125<\/td>\n\u00a0.080<\/td>\n.060<\/td>\n\u00a0.045<\/td>\n\u00a0.030<\/td>\n.016<\/td>\n.013<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h4>\n","protected":false},"excerpt":{"rendered":"

Page 5 of 12 Around 1990, Wolfgang Daiss, came on with what might be the best guitar-reader approach. A mirrored version of the Daiss tuning, represented on Figure 1-4, looks like \u00ab1< 6_bass_4ths_LH \/\/ 6_mel_4ths_RH > 12 \u00bb\u00a0 seen from the player. Daiss has always been a professional guitar and …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":128,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-143","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/143"}],"collection":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":1,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/143\/revisions"}],"predecessor-version":[{"id":144,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/143\/revisions\/144"}],"up":[{"embeddable":true,"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/pages\/128"}],"wp:attachment":[{"href":"https:\/\/tapguitar.net\/index.php\/wp-json\/wp\/v2\/media?parent=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}